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This article is an excerpt from a report by Partners in Foresight, The Home of the 2020s: Scenarios for How We Might Live in the Post-Pandemic Future.

The homes we inhabit in the 2020s could serve as a personal headquarters for building the good society. How can a house help create a more positive future? Here are four ways the home of the future might support meaningful personal commitment to the greater good.

1. Advocate From Home (AFH)

During the pandemic lockdown period, a new wave of civic engagement has taken hold. A trend called Advocate From Home (AFH) takes the form of digital organizing (e-mail, text banking, content production) for political, ecological, social and economic justice, often using work-from-home tools.

https://pixabay.com/images/id-4375588/ by TheDigitalArtist

What might the end of work mean for the future of buildings? Firstly, a significant proportion of the built environment that has up to now been designed for people-centred economic activities —offices, shopping centers, banks, factories and schools—may over the next 10–20 years house 50% or less of the number of workers with far fewer physical customers. Furthermore, with the rise of artificial intelligence (AI), some organizations might run on algorithm alone with literally no human staff.

The future of jobs is not just about employment, but about larger societal shifts with dramatic impact on the use of space and resources. Indeed, AI is increasingly likely to provide a meta-level management layer — collating data from a variety from a range of sources to monitor and control every aspect of the built environment and the use of resources within it.

Today,

The city of the future is a symbol of progress. The sci-fi vision of the future city with sleek skyscrapers and flying cars, however, has given way to a more plausible, human, practical, and green vision of tomorrow’s smart city. Whilst smart city visions differ, at their heart is the notion that in the coming decades, the planet’s most heavily concentrated populations will occupy city environments where a digital blanket of sensors, devices and cloud connected data is being weaved together to build and enhance the city living experience for all. In this context, smart architecture must encompass all the key elements of what enable city ecosystems to function effectively. This encompasses everything from the design of infrastructure, workspaces, leisure, retail, and domestic homes to traffic control, environmental protection, and the management of energy, sanitation, healthcare, security, and a building’s eco-footprint.

The

Why do Silicon Valley technology executives send their children to an almost tech-free school? Several authors have explored this question, including New York University professor Adam Alter. In his book “Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked” Alter explores the case of a San Francisco Steiner-Waldorf school where 75% of students are the children of Silicon Valley tech execs. How ironic.

In this piece I propose some additional reasons why imaginative education is becoming an approach of choice for parents wanting their children to become innovative, ecologically aware and even, as Whitehead suggests, to develop genius.

The three factors of genius are the habit of action, the vivid imagination, and the discipline of judgment. Alfred North Whitehead, 1916.

When we offer children a lifeless, stale education, we not only destroy their vitality, but we dumb them down. Through industrial era excesses we have altered the biosphere to the extent that our planetary homeland may in the foreseeable future become inhospitable for human habitation. Climate crisis is recognised as a global geo-political issue. How can young people be expected to contend with such catastrophic futures? How can we turn around dead, stale thinking, awaken ecological thinking and bring education back to life?

Evolution of consciousness research tells us that 19th century mechanistic thinking is giving way to more life enhancing thinking. In the early 20th century Whitehead’s process philosophy, Einstein’s relativity and quantum physics turned Newton’s building block universe on its head. Is education keeping up?

A few well-known educational pioneers made significant contributions to overhauling the factory model of education and breathing life into it. The ideas of Maria Montessori in Italy, Rudolf Steiner in Germany, John Dewey in the USA and Sri Aurobindo in India are still alive today globally. But they have remained relatively marginalised. How can the best of these ideas be spread?

Several contemporary educational approaches can help to shift static concepts to living thinking. One of the most important is Kieran Egan’s imaginative education. I first met Kieran at the “Imagination and Education Conference” (2009) in Australia, after completing my PhD on evolution of consciousness and its importance for education. I became particularly interested in his five developmental stages of imaginative education: somatic, mythic, romantic, philosophic and ironic. It synergised wonderfully with Jean Gebser’s structures of consciousness: archaic, magical, mythic, mental and integral.

Australian advocate of imagination in education, Bernie Neville, compared Egan’s stages with both Gebser’s structures of consciousness and psychologist Robert Kegan’s orders of consciousness. I discuss this in detail in Postformal Education, in Chapter 9: “Pedagogical Life: A Sustaining Force.”

Other contemporary educators who believe imagination plays a crucial role in transforming education include Jack Miller from Toronto, Ron Miller from the United States and Thomas Nielsen from Australia.

Life and its metaphors are also emphasised in ecological, environmental and sustainability education. David Jardine talks about developing “ecological imagination” in young people. Similarly, ecopedagogy grew out of the First Earth Summit in Brazil in 1992 under the influence of Paulo Freire’s critical pedagogy. In addition to its home in Latin America, ecopedagogy is thriving in Bulgaria through the influence of young sociologist, Stefan Grigorov.

Futures studies and foresight education, with their links to sustainability and citizenship education, play a vital role in ecological awareness. They help develop a sense of responsibility for long-term futures of life on our planet, the survival of our companion species and life itself. Futures education with young people may involve workshops in which the young people imagine possible, alternative and desirable futures, before creating the action plans that empower them to create their preferred futures.

We can also encourage life-enhancing values and increase vitality through promoting pedagogical life in simple practical ways. We can ground children in nature through gardening, creative handwork, and following daily and seasonal cycles, rather than mechanical clock time. I share a couple of enlivening examples from the school I founded in the 1980s, when alternative energy was still a relatively new idea. With the help of a low-impact alternative energy expert from the local region, we designed and built a swing set that was like no other. When the children swung on the swings, once their kinetic energy built up to a certain degree, a light bulb installed in the frame of the swing set would light up. To the children, this was pure magic. And yet it was a magic that they had created with their own energy, while they were playing!

In a second project we built a large stone structure with a water wheel at the top and a series of sculpted clay-fired flow form basins through which water flowed down like a waterfall into a pond nestled into a sandpit beside a see-saw. When children rode the see-saw, the kinetic energy of their weight moving the see-saw up and down pumped water up, turning the water wheel and pouring water down through the flow forms. The children were empowered to experience their own kinetic energy transforming into another kind of energy—physics through imaginative play. Even these primary school children learnt important lessons in physics through their bodily kinetic activity, which they would only learn about conceptually in high school, when they studied physics.

Finally, creative school architecture is an increasingly popular way to stimulate children’s creativity and imagination – to help them to think outside the square. Creative school architecture is iconic to Steiner-Waldorf schooling, but more recently has become a benchmark for top international schools in Scandinavia, Japan and elsewhere. See below the colourful kindergarten in Tromso, Norway.

To read more about Jennifer’s idea on Imaginative Education:

The ideas in this blog are expanded and discussed in: Postformal Education: A Philosophy for Complex Futures (Springer, 2016).

An earlier version of this article was published on ImaginEd: Education that Inspires.

“This handbook will:

  • help architects better understand their role and how to prepare for and respond to disasters
  • prepare AIA Component staff to engage and coordinate their architect members and provide community discourse and assistance
  • explain how built environment professionals can work with architects and the community on disaster response and preparedness efforts
  • inform municipal governments of the unique ways architects assist the public and their clients in mitigating, responding to and recovering from disasters”

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Human civilization has always been a virtual reality. At the onset of culture, which was propagated through the proto-media of cave painting, the talking drum, music, fetish art making, oral tradition and the like, Homo sapiens began a march into cultural virtual realities, a march that would span the entirety of the human enterprise. We don’t often think of cultures as virtual realities, but there is no more apt descriptor for our widely diverse sociological organizations and interpretations than the metaphor of the “virtual reality.” Indeed, the virtual reality metaphor encompasses the complete human project.

Figure 2

Virtual Reality researchers, Jim Blascovich and Jeremy Bailenson, write in their book Infinite Reality; “[Cave art] is likely the first animation technology”, where it provided an early means of what they refer to as “virtual travel”. You are in the cave, but the media in that cave, the dynamic-drawn, fire-illuminated art, represents the plains and animals outside—a completely different environment, one facing entirely the opposite direction, beyond the mouth of the cave. When surrounded by cave art, alive with movement from flickering torches, you are at once inside the cave itself whilst the media experience surrounding you encourages you to indulge in fantasy, and to mentally simulate an entirely different environment. Blascovich and Bailenson suggest that in terms of the evolution of media technology, this was the very first immersive VR. Both the room and helmet-sized VRs used in the present day are but a sophistication of this original form of media VR tech.

Read entire essay here