In March, we saw the launch of a “ChatGPT for music” called Suno, which uses generative AI to produce realistic songs on demand from short text prompts. A few weeks later, a similar competitor— Udio — arrived on the scene.
I’ve been working with various creative computational tools for the past 15 years, both as a researcher and a producer, and the recent pace of change has floored me. As I’ve argued elsewhere, the view that AI systems will never make “real” music like humans do should be understood more as a claim about social context than technical capability.
The argument “sure, it can make expressive, complex-structured, natural-sounding, virtuosic, original music which can stir human emotions, but AI can’t make proper music” can easily begin to sound like something from a Monty Python sketch.
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